only you can answer that, until you ask if they're better than, say, adam s3-a's. then i'll say, "no, the adams are better".dogbone said:would they be better speakers than [...]
you won't know until you mix through them a bunch of times.
only you can answer that, until you ask if they're better than, say, adam s3-a's. then i'll say, "no, the adams are better".dogbone said:would they be better speakers than [...]
Killyp said:You could always just get some cables made up which go from one to...... two!
cschreppel said:If you're only going for new monitors, get the KRKs. They make great stuff.
However, if you're okay with getting something used, check out the M-Audio BX5's....NOT the BX5a's. The BX5s have a lot of adjustments on the back that the BX5a's don't have.
I've been mixing a few albums on them and they translate really well to other systems. The KRKs are great too, but I'm sure you can find a newer pair of the original BX5s (or BX8's if you want bigger ones) for $200-$300 depending on the model.
i'm failed to be impressed by that, unless you're planning on shooting it. i'd just like to reiterate that materials and charts and reviews and buttons mean **** all in light of hearing it.dogbone said:kevlar woofer.
zimv20 said:i'm failed to be impressed by that, unless you're planning on shooting it. i'd just like to reiterate that materials and charts and reviews and buttons mean **** all in light of hearing it.
i understand that one must narrow one's choices, but i get the impression you're concentrating on the wrong things.
what you want are the monitors which will allow you to produce good mixes. the nature of the beast is such that you have to spend time on them to get to that point, which is what makes buying them so damn hard.dogbone said:I am not an experienced mixer therefore I don't really know fully what to listen for. I do understand that 'sounding good' is not the same as 'sounding accurate'.
Killyp said:65 Hz is plenty low enough. My B&W DM303s which I use as rear speakers apparently only go down to 85 Hz, but when they were my mains speakers they used to get into sub frequencies.
Though only half the size of Yamaha NS10Ms, the V-4s sound quite a bit bigger.
The KRK V-4s are a good choice for anyone looking for warm, non-fatiguing, big-sounding active monitors with very small footprints. These pint-sized units transcend the usual shortcoming of small cabinets-insufficient low end-to produce an amazingly extended frequency response. In fact, I've never before heard monitors this small sound so good.
Drums sounded articulate and tight except for a little blurriness in the upper bass and low-midrange regions. Both the bass guitar and drums sounded a tad flabby in the upper bass region, but otherwise natural. Although I could clearly distinguish the pitches of bass notes down to low E, the V-4s could not reproduce the bottom-most octave in the audio spectrum (20 to 40 Hz). Note, however, that most other 2-way, close-field monitors are also deficient in this range, so this is not a criticism specifically of the V-4. Again, should you need a truer picture of what's going on down in the "thunder zone," you can always add a subwoofer.
Overall, I was impressed that I heard no holes in the midrange response while tracking with the V-4s. Also, the V-4's transient response proved outstanding. I only wish these monitors had a tad more zing in the top octave of the audible spectrum-but this is more a personal preference than an indictment.
Placed on the Monitor Traps, the V-4s sounded a tad boomy and veiled in the 150 to 300 Hz zone. But imaging, depth of soundstage, and especially the reproduction of transients were very good. The V-4s are not even slightly fatiguing to listen to over the course of long sessions.