Addendum:
Boyd01 makes the best point here. You just gotta get started now. The only wrong decision is not making one.
Boyd01 makes the best point here. You just gotta get started now. The only wrong decision is not making one.
Are you on an M1 Mac? Because if you are, it's hard to recommend anything else but Final Cut Pro X because it absolutely screams on Apple's new chips. Premiere hasn't been updated yet for the M1 chips yet, so it's hard to tell how it will actually perform against FCPX once they do that. Adobe is really lagging behind getting their entire suite updated. I'm subscribed to every single one of their apps and so I'm eagerly waiting on Adobe to update their video editing software.
This is something you really haven't touched on before. But - Apple's fancy commercials aside - there's a limit to how "professional" your iPhone footage is going to look.
I have an iPhone 12 Pro Max and was excited about the capabilities of the new camera. Did about a 4 hour video shoot last month using it, my old iPhone 6s Plus and my trusty old Sony XDCAM-EX that I've had since 2008.
Really disappointed with the results from the 12 Pro Max, it just doesn't cut very well with the XDCAM and I ended up using very little of its footage.
I was using the Filmic Pro app on the phone, which is nice but there's only so far you can go.
It's just a matter of physics - the iPhone has a little tiny sensor which results in a huge amount of depth of field which is really disconcerting compared to a "real" camera with a larger sensor. And the XDCAM is part of Sony's CineAlta digital cinema line, its footage just has a more "cinematic" look all around. Not entirely sure what the "secret sauce" is there, I could probably improve things a bit more if I was more familiar with the Filmic Pro app, but it will always be limited.
My only point is that you should be evaluating the whole process starting with capturing the video, editing it and also viewing it. It doesn't matter how great the editing software is if the weak links are the camera or the monitor that you use (I use a Sony production monitor as an external video device when editing).
And we haven't even touched on the area of audio, you will be extremely limited there if you're just shooting on an iPhone.
But getting back to software, I understand you are trying to get an idea of your options. But at some point you need to just jump in and start making some decisions on your own. Geez, just install the free trial of Final Cut Pro, it is fully functional for 90 days. If you don't like it you can try the Davinci since it's free. IMO, you're over-thinking this. As a friend used to say "at some point, you just have to jump into the ocean".
It doesn't look "bad". For what it is it honestly looks incredible. The indie film Tangerine was also shot entirely on iPhone. An iPhone 4 or 5 or something like that even. But it's not exactly a Panasonic GH5, a Sony A7 or Cannon D5 or in the full pro end Red Dragon or Blackmagic URSADo you think iPhone footage looks that bad?
I recommend you learn FiLMiC Pro before you get a DSLR honestly. Learning to set camera settings manually and understanding all of it well will help you with a DSLR and no better place to start than now. FiLMic Pro can also deliver higher bitrates and dynamic range than the standard camera app - though the dynamic range thing I don't know about when you shoot Dolby Vision with the standard app; Don't know if FiLMiC has an HDR solution yet. But it does allow you to shoot log footage.I have Filmic Pro but keep chickening out using it, because I find Apple's iOS Camera interface to be easier to use and faster to use on the fly.
You make the best you can with what you have. Besides, your laptop is a Mac. If you have to edit on a laptop display that's about as good as it gets almost. If you want to improve it without getting a brand new device you can look into calibration tools, but really - it doesn't matter right now. As long as you don't begin colour grading on a TN display with a colour space of 72%NTSC or something, it's fine, hahaWhat do I do if I am stuck using a laptop for all video-editing?
As long as you don't begin colour grading on a TN display with a colour space of 72%NTSC or something, it's fine, haha
Twisted Nematic. It's a display panel technology. About the only thing it's good at is high refresh rates. Image quality is crappy, viewing angles are *****. - Most Macs have IPS panels.What is "TN"?
Do you think iPhone footage looks that bad?
Where does your Sony XDCAM-EX fall on the quality scale as far as digital recorders?
What exactly do you shoot, and can you talk more about how you feel the iPhone footage failed?
On the road, you do what you have to do. Presumably you get back home at some point where you can plug into a bigger/better screen. No matter how good your laptop screen is, it will get very crowded with everything in Final Cut Pro!What do I do if I am stuck using a laptop for all video-editing? Traveling around there is no practical way I could use an external monitor.
My experience with good quality and satisfying photo and video with followup editing is that there are several orders of magnitude difference in cost for cameras and computer hardware/software, even at a hobby level. Time, much much more as it takes much more time to scan through a one minute video than an image. Then you are doing it over and over to get just that right effect.I would say at this point - thanks to everyone's comments here - I am 95% certain that Final Cut Pro X is a good place to start. (Unless it isn't!)
And all of this talk of M1's and external monitors and digital video cameras and color-grading is making me very nervous...
If I need all of that, then I'll never be able to do video editing.
You want to produce "high end" video and you worry about $400? That is totally trivial pocket change in the world of "high end video".I have been busy learning videography over the last year or two, and now have a very large portfolio of raw footage. But ironically, I haven't a clue of how to edit this raw footage and produce professional-looking final videos.
.....
I am leaning towards Apple's Final Cut Pro X because it is only $400, and I would owe it forever!
I'm sorry, my comments were a bit harsh. I think it could be fine for many things, especially if the whole piece is shot on phones. My problem was that it looked bad next to footage from a digital cinema camera with larger sensor, as though it came from a completely different world.
The lack of depth of field is the thing that stands out the most, but that cannot be avoided with a tiny sensor.
Apple's solution for this on the newer phones is "portrait mode" which uses their AI and lidar scanner to isolate objects in the foreground and apply a blur to the background. That is very impressive, but kind of funny since it involves a lot of computation and special hardware to do something that just happens naturally with a larger sensor.
But this feature doesn't work in video mode, only for stills. I read a rumor that the iPhone 13 (or maybe 14???) would allow video to be shot with this kind of processing. If they can pull that off, it has the potential to eliminate what is arguably the biggest problem with small sensors.
It falls in the "old" zone, as I mentioned, I got it in 2008. ? There are newer, fancier cameras in the XDCAM series, but I can't afford those.
I used to shoot a lot of live performances, also video that was projected on large screens in conjunction with my job, and other fun personal projects. But I have been retired since 2011 and now just do the fun stuff. So I can't justify buying expensive new cameras just for that kind of thing.
I was trying out a motorized mount called a "Pivo Pod" with the 12 Pro Max part of the time. It actually did a pretty decent job of automatically tracking people, but the video just looked bad, very flat and two-dimensional, also very much over-sharpened or contrast-enhanced.
On the road, you do what you have to do. Presumably you get back home at some point where you can plug into a bigger/better screen. No matter how good your laptop screen is, it will get very crowded with everything in Final Cut Pro!
My experience with good quality and satisfying photo and video with followup editing is that there are several orders of magnitude difference in cost for cameras and computer hardware/software, even at a hobby level. Time, much much more as it takes much more time to scan through a one minute video than an image. Then you are doing it over and over to get just that right effect.
You can get pretty good quality snap shots and video with entry level devices, but it still takes some time. So the quandary is that there is a danger of large investments and then finding its not for you. Perhaps buy used. Did I mention the time?
Note that video cameras with smooth zoom and optical stabilization shoot much better video than DSLR type cameras. When I am planning to shoot both but don't want to lug extra equipment, I take the DSLR, but then I have a $$$ Cannon that does video well.
I suggest you start with imovie and your existing equipment, try it and see if you like it. You can make pretty good stuff with an iPhone and iMovie if you have some talent/time.
You want to produce "high end" video and you worry about $400? That is totally trivial pocket change in the world of "high end video".
The other thing I see here is a common beginner mistake, confusing learning an editor with learning to edit.
This is like if I wrote "I want to learn to write fiction and to become a best selling novelist. Should I learn Microsoft Word or use Apple's Pages? I like it that Pages is free."
Seriously an editor who has any experience at all is comfortable with any of the common software, including "Resolve". What the person brings in not an ability to remember what is under each menu pull down but his sense of story telling with pictures and his timing and if he gets the flow right and 100 other things.
I'd suggest starting with Apple's iMovie and use it untill you see a good reason to not use it. You will find such a reason. Then if working with others, use what they use. One BIG advantage if Adobe and Resolve is you are not tied to the Mac and the software runs one other computers. But at this stage you really should be using different software and not lock yourself in.
I see this all the time in the software development world too.The other thing I see here is a common beginner mistake, confusing learning an editor with learning to edit.
This is like if I wrote "I want to learn to write fiction and to become a best selling novelist. Should I learn Microsoft Word or use Apple's Pages? I like it that Pages is free."
Seriously an editor who has any experience at all is comfortable with any of the common software, including "Resolve". What the person brings in not an ability to remember what is under each menu pull down but his sense of story telling with pictures and his timing and if he gets the flow right and 100 other things.
No. Go get started! In fact, why haven't you started yet?So is that a deal-breaker for doing video-editing? :-(
iMovie definitely won't work, so that is a non-starter. And since FCPX has a free trial and Resolve is free, I can't see why it makes sense for me to ever even look at iMovie.
I agree there's no reason to start with iMovie when you can just use Resolve unless you just want to do simple things and don't want to be overwhelmed by the features and options in the pro apps.Well, I love shooting video. I have been doing it for over a year and have shot over 6TB of video. However, I have never done video editing, although I did play with iMovie a little bit last year, but it doesn't do what I need.
Books have been written on typewriters. Books have been written by hand.As for writing a book - at least one that is non-fiction - you would again be making a poor decision to use Pages, because MS Word is superior doing things like bibliographies.
So a 2008 video camera looks better than a brand new iPhone 12 Pro Max, huh?
No. Go get started! In fact, why haven't you started yet?
With that said, I'm curious what you've found iMovie doesn't give you.
Point of my weird little story and blabbering is just that - yes. You're right. There are different tools for different jobs, and it's all good to ask for advice there. But now you've been told about some pros and cons of all the tools and that all the mentioned ones are sufficient for the task at hand, so it's just about grabbing one and going to work
Let's say I need to haul building materials from the lumber yard to the jobsite. So, a 2008 Ford truck is better than a 2021 Tesla, huh?
But yes, FOR MY USES a 2008 video camera is certainly better. But your needs could be completely different.
Right now, I better get FCPX installed before @casperes1996 comes after me! ;-)
Hehe; I'm sorry you're feeling ill and hope things go well with your business and everything.
I didn't intend to come off pushy or hostile or anything and I hope it wasn't perceived that way.
Just felt like it was time to get started because continuing on the tools thing; Yes - but at this point we're not arguing about the difference between a power drill and a shovel. We're arguing about the colour of the power drill and how long the cord it comes with is - if you need a longer range you can always get an extension lead