mateenj said:
I have very limited recording knowledge and know that it would take a while for us to adapt and fully apprehend the entirety of the process so I'm sure it would take a while before we can mix a raw track and make it sound somewhat professional.
that is true. think about what led you to the idea of doing your own recording vs. going into a studio. if it's pro results you're after, imo that's the way to go.
otoh, if you're interested in the engineer aspects of it, that's another matter. but don't assume you can go cheap on the gear (not to mention the room) and get pro results.
....
that said, and since you asked for a whole 'nother approach, i'll recommend one that i've used and like. what you'll need:
1. a pair of small diaphragm, omni condenser mics (matched)
2. a clean stereo preamp
3. decent converters (and the computer and software to record, of course)
4. a
jecklin disc
5. a treated room
6. good ears and good monitoring (for the engineer, not the musicians)
7. a mic stand and cables
8. patience
you don't mention a vocalist, so i'm leaving out consideration for one.
this is a two-mic setup using spaced omnis around the jecklin disc. you'd position the disc in front of the band in such a way that provides good balance of instrument level and good balance side-to-side. there are other rules you can read about that provide info about how far away and how high to place the disc and mics.
this requires that all the instruments make sounds acoustically. so for the electric bass, it'll be amped and its volume set to a good level relative to the other instruments.
it also requires a Good Sounding Room. find something with high enough ceilings that you don't get a big slapback from them. purchase a liberal amount of bass traps (i like
these, and don't bother with that auralex foam crap) and hang/place them in all the corners.
unfortunately, my live room doesn't sound good enough, so i've done this only once in a live situation. my gear:
1. that jecklin disc i linked above
2.
avenson sto-2 mics
3. a pair of
Brent Averill 312a mic pre's
4.
rosetta 800 converters
5. ...via firewire to my ibook running digital performer
the room (
so important for such techniques) wasn't fantastic, but
here is a sample mp3 of the raw tracks.